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Tim Burton & Alexander McQueen - via LACMA blog

I am going to the Tim Burton Exhibit at the LACMA on Friday at noon… *wiggle!* Who wants to join? Get tix from their site and meet me there!
<3, marz* …

///

Tim Burton & Alexander McQueen

Earlier this month I was in New York and had the chance to view the Met’s exhibition, Savage Beauty, on the late designer Alexander McQueen. I found myself incredibly moved—holding back tears, even—as I took in one extraordinary work after another. (I was glad to discover that I wasn’t the only one who had such an emotional response to the show). It was almost too overwhelming to enter so much of McQueen’s mind, and delve into his world, which seemingly has no boundaries in the expression of beauty. It didn’t surprise me then to come upon a piece in the show that was inspired by an equally imaginative artist, who happens to currently be on view at LACMA. In front of me was a black silk billowing ensemble from the collection that, in McQueen’s words, “was inspired by Tim Burton. It started off dark and then got more romantic as it went along.”

Alexander McQueen, Ensemble, Supercalifragilisticexpialidocious, autumn/winter 2002–03, image via Style.com

McQueen’s connection to Burton extends beyond this collection (aptly named Supercalifragilisticexpialidocious); Burton also created drawings for one of McQueen’s collections. As I further considered both artists though, it wasn’t difficult to draw even more parallels between the two.

Both McQueen and Burton began creating works at an early age and attended schools to learn and train for their respective fields. Many are surprised to learn that Burton is a Burbank High School alumnus, and impressed to see the breadth of creativity during his youth.

Installation view of Tim Burton exhibition, gallery displaying Burton’s early work

Both artists have achieved international acclaim for prolific careers established upon a recognizably unique form of expression—equally described as Gothic and romantic. They have each found inspiration in literary sources, including Edgar Allen Poe and the Brothers Grimm; McQueen stated that “life…is a bit of a Brothers Grimm fairy tale,” while Burton created a Japanese-themed twist on Grimm’s Hansel and Gretel for his first live-action production. Each possesses a singular vision and aesthetic, though both Burton and McQueen have embraced storytelling in their work with narratives that are often autobiographical and/or inspired by the world around them.

Installation view of Tim Burton exhibition galleries, showing models from The Nightmare Before Christmas

Installation view of Alexander McQueen exhibition, “Romantic Nationalism” gallery

Christine Choi, Communications Manager



marz
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Vanity Fair Portraits: Photographs 1913–2008
October 26, 2008–March 1, 2009 | Hammer Building
Vanity Fair Portraits: Photographs 1913–2008 is the first major exhibition to bring together the magazine&#8217;s historic archive of rare vintage prints with its contemporary photographs. The exhibition explores the ways in which photography and celebrity have interacted and changed, with portraits from the magazine&#8217;s early period (1913–1936) displayed in conjunction with works from the contemporary Vanity Fair (1983–present). The Los Angeles presentation, which is sponsored by Burberry, will be the only U.S. stop on the exhibition&#8217;s international tour. Photographers to be represented include Cecil Beaton, Harry Benson, Julian Broad, Imogen Cunningham, Annie Leibovitz, Man Ray, Mary Ellen Mark, Steven Meisel, Helmut Newton, Herb Ritts, Edward Steichen, Mario Testino, and Bruce Weber.
Curators: Terence Pepper, curator of photographs, National Portrait Gallery, and David Friend, editor of creative development, Vanity Fair. Curator at LACMA: Charlotte Cotton, photography.
A collaboration between Vanity Fair and the National Portrait Gallery, London.
Sponsored by

Vanity Fair is a registered trademark of Advance Magazine Publishers Inc.
Edward Steichen, A Much Screened Lady—Gloria Swanson, 1924 (detail),© Condé Nast Publications Inc./Courtesy George Eastman House.
Nickolas Muray, Douglas Fairbanks, Jr and Joan Crawford, Santa Monica, 1929, Vanity Fair, October 1929, © Condé Nast Publications Inc./Courtesy Condé Nast Archive.
Hours
LACMA is open every day except Wednesdays, Thanksgiving, and Christmas.
 Monday  12 noon–8&#160;pm     Tuesday  12 noon–8&#160;pm     Wednesday  CLOSED Thursday  12 noon–8&#160;pm     Friday  12 noon–9&#160;pm     Saturday  11 am–8&#160;pm     Sunday  11 am–8&#160;pm

Vanity Fair Portraits: Photographs
1913–2008

October 26, 2008–March 1, 2009 | Hammer Building

Vanity Fair Portraits: Photographs 1913–2008 is the first major exhibition to bring together the magazine’s historic archive of rare vintage prints with its contemporary photographs. The exhibition explores the ways in which photography and celebrity have interacted and changed, with portraits from the magazine’s early period (1913–1936) displayed in conjunction with works from the contemporary Vanity Fair (1983–present). The Los Angeles presentation, which is sponsored by Burberry, will be the only U.S. stop on the exhibition’s international tour. Photographers to be represented include Cecil Beaton, Harry Benson, Julian Broad, Imogen Cunningham, Annie Leibovitz, Man Ray, Mary Ellen Mark, Steven Meisel, Helmut Newton, Herb Ritts, Edward Steichen, Mario Testino, and Bruce Weber.

Curators: Terence Pepper, curator of photographs, National Portrait Gallery, and David Friend, editor of creative development, Vanity Fair. Curator at LACMA: Charlotte Cotton, photography.

A collaboration between Vanity Fair and the National Portrait Gallery, London.

Sponsored by

Vanity Fair is a registered trademark of Advance Magazine Publishers Inc.

Edward Steichen, A Much Screened Lady—Gloria Swanson, 1924 (detail),© Condé Nast Publications Inc./Courtesy George Eastman House.

Nickolas Muray, Douglas Fairbanks, Jr and Joan Crawford, Santa Monica, 1929, Vanity Fair, October 1929, © Condé Nast Publications Inc./Courtesy Condé Nast Archive.

Hours

LACMA is open every day except Wednesdays, Thanksgiving, and Christmas.

Monday 12 noon–8 pm  Tuesday  12 noon–8 pm  Wednesday CLOSED Thursday 12 noon–8 pm Friday 12 noon–9 pm  Saturday  11 am–8 pm  Sunday  11 am–8 pm


♥,marz*
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